Nearmint's Vintage Football Card Blog

There is a great thread going in the Collectors Universe forums about favorite “combo” cards. I had not heard the term before, but it appears that combo cards are simply cards that feature more than one player. (Team cards don’t count, because they’re, you know, team cards.) Some of the cards posted in the CU thread have been autographed by all of the players–very cool.

Most of the cards posted in the CU thread are baseball cards, which isn’t surprising, since the card companies printed far more baseball cards than cards from other sports. What does strike me, though, is how few combo vintage football cards there are. The 1968 KDKA Steelers set is composed entirely of combo cards, but that is a minor regional set. Beyond that, I can think of only a few combos: the 1955 Topps All-American Four Horsemen card, the 1966 Philadelphia Morrall/Scholtz and Gabriel/Bass cards, League Leader and All-Pro cards in some of the 1970s Topps sets, and 1969 Topps 4-in-1 cards, which were actually meant to be separated into four stamps. Of these, only the Four Horsemen, Morrall/Scholtz, and Gabriel/Bass–a grand total of three cards–picture multiple players in the same image.

Vintage baseball cards, on the other hand, feature plenty of multi-player images. Some of the baseball cards posted in the CU thread are batting duos and trios from the same team: Aaron and Matthews; Brock and Flood; Schmidt, Rose, and Bowa. Where are all the football cards like this? Where are Unitas and Berry, Hornung and Taylor, Morris and Csonka, the Million Dollar Backfield, the Fearsome Foursome, and the Purple People Eaters? The football card folks had no imagination.

Some combo baseball cards even picture players from different teams in the same image. There’s Aaron and Mays; Banks and Aaron; Brett and Carew; Killebrew, Mays, and Mantle; on and on. I imagine that some of the multi-player baseball images were pieced together from multiple photos, but how many football cards picture players from different teams standing next to one another? Zero that I can think of. There have been Pro Bowls every year since 1951, but where are the cards of dream backfields, the league’s meanest linebackers, or even dueling punters? Someone must have taken photos–why didn’t the photos make it onto cards?

Oh well, I guess I have a little baseball card envy today. If you can think of more combo football cards, let me know.

• Search eBay for: Four Horsemen, Mays and Mantle, Banks and Aaron
• Search Nearmint’s Cards for: 1955 Topps All-Americans, 1966 Philadelphia

The Philadelphia Gum Company printed football cards from 1964 to 1967. For those four years, Philadelphia had the rights to NFL players, and Topps had the rights to AFL players. The contrast between the companies’ products is striking: the Topps sets of those years are colorful and varied, and the Philadelphia sets are simple and conservative.

All four of the Philadelphia sets are similar. Each of them has 198 cards, grouped by team, and the last two cards in each set are checklists. The teams are ordered alphabetically by city, with Baltimore first in 1964 and 1965 and Atlanta first in 1966 and 1967. Each set contains a team photo card for each team.

I find the 1964 Philadelphia set to be the most attractive of the four, because the colored nameplates with the white borders around them make the cards brighter than the other years. Most of the 1964 cards are easy to find in high grade, though, and that takes some of the fun out of it. A few cards–the checklists come to mind–are challenging because of centering. (See C is for Checklists.)

The Play of the Year cards are the plainest in the 1964 set, and in truth they feature some pretty ordinary plays. They do include photos of the coaches, though, and among the coaches are Vince Lombardi and Don Shula, who had not appeared on cards before. My Beckett catalog does not recognize the Lombardi and Shula cards as their rookie cards, but I don’t know why. The back of each Play of the Year card also lists the offensive players involved in the play. Some of these players never appeared on cards of their own, but at least their names appear here in print.

The 1964 Philly set includes the rookie cards of five Hall of Fame players–Herb Adderley, John Mackey, Willie Davis, Jim Johnson, and Merlin Olsen. Philadelphia misspelled Adderley’s name on his card, and they misspelled it the next three years, too. Other bits of 1964 Philadelphia trivia are that Jim Brown’s Cadillac appears in the background on all of the Browns’ cards, and that the player pictured on Garland Boyette’s card is actually Don Gillis.

1965 Philadelphia is the dullest of the four sets. It has essentially the same composition as the 1964 set–single-player cards, team cards, play cards, and checklists–but it has little color because the nameplates have a black background. Most of the players even look unhappy.

The one bit of innovation in the set is the “Who Am I?” rub-off quiz on the card backs. Oddly, rubbing the card reveals a player’s picture and the answer for a different card, so you have to rub one card to get the question and rub another card to get the answer. Also, my friend Steve from thecowboysguide.com said that not all of the rub-offs work. In Steve’s words, “You’ll get some duds because of age and condition.”

On a positive note, the set holds the rookie cards of five Hall of Fame players: Paul Warfield, Mel Renfro, Paul Krause, Carl Eller, and Charley Taylor. And Renfro is actually smiling!

Perhaps collectors noticed that the 1965 set was dull, because the next year Philadelphia shook things up a bit. The 1966 Philadelphia set returned to colored nameplates, for play cards it had action photos instead of X-and-O diagrams, and it even had two cards–Morrall and Scholtz and Gabriel and Bass–with two players on them. The set also gave the Atlanta Falcons a proper introduction. Since the Falcons were new to the league, the card company could not include an action card for them from the year before, so instead they included a Falcons insignia card. The insignia was big and bold, and it happened to be the first card in the set.

One thing I noticed about the 1966 action photos is that they were all shot in New York and Los Angeles. As a result, the action cards picture a lot of Giants and Rams defensive players. Each of the action cards has a referee signal on the back, and card #196 is dedicated to referee signals. Compared to Topps’s cards, which had cartoons and fun facts on the back, Philadelphia’s cards were all business.

The 1966 Philadelphia set is much tougher than its predecessors to complete in high grade. While some cards are plentiful, others are scarce, and I suspect that a lot of them are undocumented short prints. I found a picture of an uncut sheet that suggests why. For a 198-card set, I would expect there to be three 132-card sheets, with each sheet containing two-thirds of the set. Between the three sheets, there would then be two of each card. The sheet I found, though, contains 110 of the 198 cards, and the top two rows are repeated. There had to be at least another sheet that held the remaining 88 cards, but I can’t think of how a small number of additional sheets could have been configured to even out the distribution of cards. Rows 3 through 6 on the sheet I found contain some of the tough cards in the set, so I’ll wager that those rows did not appear on another sheet.

Like the two earlier Philadelphia sets, the 1966 set contains the rookie cards of five Hall of Fame players. Six years ago it contained only two, Gale Sayers and Dick Butkus. The other three–Bob Brown, Gene Hickerson, and Bob Hayes, have all been inducted in the past five years.

For more details on the 1966 Philadelphia set, you can read Jim Churilla’s article on the PSA web site.

In 1967, Philadelphia printed their last set of football cards. Like the 1966 set, it has a funky distribution: some cards are plentiful in high grades, and some are downright scarce. The company got a bit less conservative in 1967, coloring the borders yellow and adding colorful cards of the team insignias. 1967 was the year that New Orleans joined the NFL, so a bit more color was fitting.

Two bits of trivia are worth mentioning: Raymond Berry’s 1967 Philadelphia card actually pictures Bob Boyd, and Paul Hornung appears on a Saints card, but he retired before the start of the season. The 1967 Philly set contains three rookie cards of Hall of Fame players: Leroy Kelly, Jackie Smith, and Dave Wilcox.

Though I’m sure it wasn’t intentional, it seems that in the Philadelphia years, the Philadelphia and Topps issues reflected the images of the leagues they represented. The Philly sets were conservative, consistent, and unadorned. The 1964-1967 Topps sets were colorful and innovative, with stars and tall boys and TVs. Philadelphia had the talent, and Topps had the flash. Philadelphia’s run was too short to draw conclusions, but by 1967 it seems as though Topps was prompting Philadelphia to lighten up, just as the AFL was pressuring the NFL to enliven its game.

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I have always thought that these were odd: they’re boyhood photo cards that were part of the 1973 Topps football card set. It’s a 528-card set, so why are there only three boyhood cards? Why did Topps pick Anderson, Gabriel, and Garrett? Were they the only players whose moms responded to requests for old photos? Did the other moms respond, but their kids weren’t cute enough? Did Topps intend to have a Boyhood Photo insert set and fail to turn up enough photos? Every time I encounter one of these, I wonder how they came to be.

A few months ago I created a page called Mistaken Identities: Vintage Football Cards Picturing the Wrong Player. The page shows numerous cards that show the wrong player in the main photo. I learned from my Beckett catalog, though, that there are also a bunch of 1962 Topps cards that picture the wrong player in the black-and-white inset photo. What’s more, it appears that Topps faked a couple of these photos intentionally, altering the impostor’s jersey number to match the player on the card.

Here is one of the altered jersey numbers: the inset photo on Zeke Bratkowski’s 1962 Topps card actually shows John Unitas, with his number changed from 19 to 12. Topps apparently couldn’t find a good game photo of Bratkowski, though he had been in the league for eight years. It’s too bad, because Bratkowski took great action shots. On his his 1962 Post Cereal card, he’s throwing while going down, and on his 1958 Topps card, he’s leaping over palm trees!

The second altered jersey is on Fran Tarkenton’s rookie card. Beckett says that it’s Sonny Jurgensen in the inset photo, with his number changed from 9 to 10. It’s hard to tell from the photo, but did Topps leave the Eagle wings on Jurgensen’s helmet?

The third impostor is on Roman Gabriel’s rookie card. On this card, the player in the inset photo is clearly Y.A. Tittle. It is understandable that Topps didn’t have an NFL game shot of Gabriel, since 1962 was his first year in the league. This time they didn’t try to fool us: they just picked out a nice quarterback photo and called it good.

Last, we have a couple of Redskins. That’s Don Bosseler pictured in the inset photo of Dick James’s card. Bosseler didn’t appear in the 1962 Topps set on a card of his own, so it’s nice that they gave him a cameo. (He did, however, appear on a 1962 Post Cereal card.)

Steve Liskey, from The Cowboys Guide, recently asked me if I planned to add scans of the backs of the cards to the Vintage Football Card Gallery. My first thought was “Are you out of your mind, Steve?” But then I told him that scanning just the fronts has taken an enormous amount of time, so I will probably never get to the backs. (Another visitor had a more modest suggestion: providing a single example of a card back for each set. Now that sounds like something I can accomplish–someday.)

It turned out, though, that Steve was particularly interested in the backs of 1966 Philadelphia cards. Why? Well, because as shown on the Dennis Claridge card to the right, each card in the 1966 Philly set has a player pictured on the back who is not the player on the front. (That’s Roman Gabriel on the back of the Claridge card.) Steve collects Dallas Cowboys cards, of course, and he wanted to know which cards have a Cowboy on the back.

Now that’s a serious collector, and I understand completely the desire–no, the need–to get every one of whatever type of cards you collect. If you collect a certain team, of course you want the cards that picture your team’s players on the back. So what I will probably do–again, someday–is note which players appear on the backs of the 1966 Philly cards so that the cards show up in searches for the players and their teams.

It had occurred to me even before Steve wrote that a player collector might want any cards on which his player was pictured, whether the player was identified on the card or not. That’s why, for each 1966 Philadelphia team play card, I have added the names of all the players appearing in the action on the front of the card. For example, for the Cowboys play card shown here, I included all five players pictured–three Cowboys and two Giants–in the list of players appearing on the card.

While adding players for the team play cards, I noticed that some of the players don’t appear on cards of their own. For example, to my knowledge, the Cowboys play card above is the only card on which Jerry Rhome appears. (Jerry is the holder for the kick.) I sell a lot of cards to players’ friends and relatives, and I suspect that this extra information will someday help a player’s grandson find his granddad on a card he didn’t know existed.

Search for 1966 Philadelphia cards on: eBay, Nearmint’s cards.