The card pictured here is Lyles’s rookie card, a 1967 Philadelphia, issued in his tenth season in the NFL. He also appeared on a 1968 Topps card, a 1969 Topps card, and a 1969 Glendale stamp.

The cards I have so far are toward the bottom of my Uncut Sheets in Progress page. If you have any badly miscut cards that could help the cause, please send me some scans!

Like the 1966 Philadelphia set, the 1967 Philadelphia set contains 66 double prints, but they are not documented in the price guides. The virtual sheet shows which cards are double prints.

(Click on the image to see the full sheet.)

This time we have a 1969 Topps Joe Scarpati and a 1967 Topps Johnny Robinson:

A 1968 Topps Andy Russell rookie and a 1966 Philadelphia Roger LeClerc:

A 1965 Philadelphia Dick Schafrath and a 1967 Philadelphia Willie Davis:

Unfortunately, the photographers from many teams–notably the AFL teams–never used this pose, so in this series I could feature cards from only about half the teams. That’s a pity: I love Pat Patriot and Denver’s drunk Bronco, and it would have been nice to include them.

Whenever I create one of these, I find a surprise. This time it was #87, Tom Hutchinson, in the front row. I didn’t think I had a card of Hutchinson by himself, but I do: a 1961 Nu-Card, which pictures him still in college, at Kentucky. Hutchinson played for the Browns from 1963 to 1965, then for the Falcons in 1966. He apparently left the Browns shortly after this photo was taken.

Richter’s two rookie cards are a 1952 Bowman Large and a 1952 Bowman Small, issued the year he graduated from the University of California. (The 1952 Bowman Small is pictured here.) He served in the Army for two years after graduating, and he joined the Rams in 1954. Richter played for the Rams from 1954 to 1962, and he appeared on at least one football card in each year of his career–unusual for a defensive player. He passed away earlier this year.

Hanburger’s rookie card is a 1967 Philadelphia, issued in the third year of his career. After that, he appeared on at least one card or stamp each year until he retired after the 1976 season.

Judging by recent history, it is likely that at least one of the two senior nominees will be elected to the Hall. The Hall of Fame’s senior nominees page shows that at least one senior candidate has been elected each year since 1998. Since 2004, when the senior committee began nominating two players per year, 11 of the 14 nominees have been elected. One nominee, Bob Hayes, was not elected in 2004, but he was nominated again in 2009 and elected that year.

You can see all of Les Richter’s cards and all of Chris Hanburger’s cards in the Vintage Football Card Gallery.

I learned last week, though, that Bruce Alford was a longtime NFL official who had appeared on a card as a player. I wondered if other officials had appeared on cards as players, too. Wikipedia happens to have an all-time list of NFL officials, so I perused the list, looking for names I recognized from cards. Including Alford, I found four. That was better, now I could include them in this article, as well.

First, the Philadelphia cards. The 1966 and 1967 Philadelphia sets each include a Referee Signals card and a few cards that have referee signals on the back. In the 1966 set, the referee signals appear on the backs of the “play” cards; in the 1967 set, they appear on the backs of the team cards. The Referee Signals cards and the back of the 1966 Philadelphia Vikings Play card are shown here.

Except for an occasional official in the background (thanks, revmoran!) or random striped shirt in an action photo, that’s really about it for officials on vintage cards. But then we have the zebras who appeared on cards in their pre-zebra days:

Bruce Alford, who recently passed away, spent six years as a player in the AAFC and NFL, then officiated in the NFL for twenty years. He officiated Super Bowls II, VII, and IX. Alford appeared as a player on a 1951 Bowman card.

Al Conway was the Eagles’ first-round draft pick in 1953, and he appeared on a 1953 Bowman card. According to pro-football-reference.com, he never played a league game, but he went on to officiate for 28 years in the AFL and NFL.

Pat Harder played eight years for the Cardinals and Lions, and he appeared on four cards in that span: 1948 Bowman, 1948 Leaf, 1950 Bowman, and 1953 Bowman. His 1948 Bowman card is pictured here. After retiring as a player, Harder was an official for seventeen years. One game he officiated was the Raiders-Steelers playoff game in which Franco Harris made his Immaculate Reception.

Finally, Frank Sinkovitz was a center and linebacker for the Steelers for six years. He appeared on the 1950 Bowman card pictured here, and a 1951 Bowman card. After his playing days, he officiated for 26 years. One game he officiated was Super Bowl XV.

So there you have it, the NFL officials rookie card collection. If you can think of additions, let me know.

Now I know my ABCs…

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• All of the ABCs

• Search eBay for: Bruce Alford, Al Conway, Pat Harder, Frank Sinkovitz
• Search Nearmint’s Cards for: 1948 Bowman, 1950 Bowman, 1951 Bowman, 1953 Bowman

1963 Topps Ernie McMillan and 1966 Philadelphia Don Chandler:

1967 Philadelphia Gail Cogdill and 1968 Topps Junior Coffey:

1968 Topps Dan Reeves and 1969 Topps J.R. Wilburn:

1951 Topps Magic cards were the first football cards with scratch-off backs, the scratch-offs accounting for the “magic” in the name. The material Topps used for the scratch-offs was similar to that used on today’s lottery tickets: a silver-gray coating that crumbled off when you scratched it. Scratching off the crumbly coating revealed a picture of the player’s school, along with the school’s name. The feature apparently was a hit, because most 1951 Topps cards I see have been scratched.

The next football cards with scratch-off backs were 1958 Topps cards. Topps used a different material this time, a white substance that revealed a gray picture when rubbed, but that didn’t come off of the card. All of the player cards in the set had scratch-off backs, but, as shown on this Sonny Jurgensen rookie card, the questions and answers were not about the players on the cards. Even now, I’m disappointed.

Unlike the 1951 Topps cards, most of the 1958 Topps cards I see have not been rubbed. Perhaps it’s because the pictures were not as clear as on the 1951 cards. Or perhaps scraping the little silver-gray pellets onto the floor had been part of the fun. For whatever reason, after 1951, the magic was gone.

The scratch-offs on 1959 Topps football cards were also unrelated to the player, but they differed a bit from 1958. Part of the picture on each card was visible before rubbing, and you rubbed the card to reveal the rest. Maybe Topps exposed part of the picture to entice kids to rub the card, but I don’t see many 1959 Topps cards that are rubbed, either. To my knowledge, this was the only set in which parts of the pictures were already showing.

The backs of player cards in the 1960 Topps football set also had scratch-offs, but this time there were no questions and answers, just “Football Funnies” cartoons. I have just one rubbed card, the Matt Hazeltine card pictured here, and the cartoon on it isn’t even related to football. I know they were selling to kids, but I think Topps should have just printed the players’ stats, instead.

Topps persisted with the scratch-offs in 1961. Rubbing the back of a 1961 Topps card revealed a generic cartoon of a player in action, labeled with the name of the player on the card. Though the cartoons were generic, Topps at least took care to get the players’ numbers right. Elbert Dubenion, whose card is shown here, indeed wore number 44.

After 1961, Topps took a break from scratch-offs, instead simply printing cartoons on the card backs. The Philadelphia Gum Company picked up the slack, using the scratch-off feature on their cards in 1965 and 1967. Scratching a 1965 Philadelphia card revealed a picture of one player, and the name of another. To find the name of the pictured player, the card back directed you to a different card, which had the answer. This was a bit convoluted for a kid, I’d say. Philadelphia dispensed with the scratch-offs in 1966, but retained the picture-on-one-card, name-on-another quiz.
In 1967, Philadelphia again put scratch-offs on their cards, but this time they used simple questions and answers related to the player on the card. I don’t know how well the scratch-offs worked back then, but I recently rubbed the Dale Hackbart card shown here, and I can barely see the answer. (It’s “He teaches school.”)

Topps returned to scratch-offs in 1968, but they didn’t put them on every card. Only about 20% of the cards have the “Coin Rub” on the back, and the other 80% have cartoons about the players printed on them. I imagine that limiting the number of scratch-offs was a cost saving measure: someone at Topps wanted the scratch-offs, and someone else said “Why? The kids don’t scratch them, anyway.” And so they compromised. Rubbing the Coin Rub backs reveals cartoons like those on the other cards.

Cards with Coin Rub backs appear in both series of 1968 Topps cards. I thought that Topps might have arranged the Coin Rub cards in a pattern on the uncut sheets–perhaps all in the same row or column, for instance–but they appear to have scattered them randomly on the sheets.

In 1969 and 1970, Topps again put scratch-offs on only a small number of cards. As in 1968, the scratch-offs revealed cartoons about the players, like those on the other cards. In 1969 and 1970, though, the scratch-offs appeared only in the second series of each set. Perhaps this was an effort to boost interest in the second series, after kids had burned themselves out trying to complete the first series. To my knowledge, 1970 Topps is the last set containing cards with scratch-off backs.

Considering how few scratch-offs actually got scratched after 1951, I am surprised that Topps put them on cards for as long as they did. Maybe they assumed that kids were busy scratching them, and didn’t know otherwise until years later, when old cards started coming out of attics. Collectors today don’t appreciate the scratch-offs, either: customers often ask me whether the backs of cards I am selling have been scratched.

I am also surprised, considering collectors’ aversion to scratched cards, that PSA is not harsher when grading them. I often see PSA 7s that have been rubbed, and the 1958 Topps Sonny Jurgensen card above is a PSA 8 OC. To me, a rubbed card ought to grade excellent at best, since an exposed cartoon is certainly more distracting than, say, a quarter-inch hairline crease. What do you think?

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• All of the ABCs

All four of the Philadelphia sets are similar. Each of them has 198 cards, grouped by team, and the last two cards in each set are checklists. The teams are ordered alphabetically by city, with Baltimore first in 1964 and 1965 and Atlanta first in 1966 and 1967. Each set contains a team photo card for each team.

I find the 1964 Philadelphia set to be the most attractive of the four, because the colored nameplates with the white borders around them make the cards brighter than the other years. Most of the 1964 cards are easy to find in high grade, though, and that takes some of the fun out of it. A few cards–the checklists come to mind–are challenging because of centering. (See C is for Checklists.)

The Play of the Year cards are the plainest in the 1964 set, and in truth they feature some pretty ordinary plays. They do include photos of the coaches, though, and among the coaches are Vince Lombardi and Don Shula, who had not appeared on cards before. My Beckett catalog does not recognize the Lombardi and Shula cards as their rookie cards, but I don’t know why. The back of each Play of the Year card also lists the offensive players involved in the play. Some of these players never appeared on cards of their own, but at least their names appear here in print.

The 1964 Philly set includes the rookie cards of five Hall of Fame players–Herb Adderley, John Mackey, Willie Davis, Jim Johnson, and Merlin Olsen. Philadelphia misspelled Adderley’s name on his card, and they misspelled it the next three years, too. Other bits of 1964 Philadelphia trivia are that Jim Brown’s Cadillac appears in the background on all of the Browns’ cards, and that the player pictured on Garland Boyette’s card is actually Don Gillis.

1965 Philadelphia is the dullest of the four sets. It has essentially the same composition as the 1964 set–single-player cards, team cards, play cards, and checklists–but it has little color because the nameplates have a black background. Most of the players even look unhappy.

The one bit of innovation in the set is the “Who Am I?” rub-off quiz on the card backs. Oddly, rubbing the card reveals a player’s picture and the answer for a different card, so you have to rub one card to get the question and rub another card to get the answer. Also, my friend Steve from thecowboysguide.com said that not all of the rub-offs work. In Steve’s words, “You’ll get some duds because of age and condition.”

On a positive note, the set holds the rookie cards of five Hall of Fame players: Paul Warfield, Mel Renfro, Paul Krause, Carl Eller, and Charley Taylor. And Renfro is actually smiling!

Perhaps collectors noticed that the 1965 set was dull, because the next year Philadelphia shook things up a bit. The 1966 Philadelphia set returned to colored nameplates, for play cards it had action photos instead of X-and-O diagrams, and it even had two cards–Morrall and Scholtz and Gabriel and Bass–with two players on them. The set also gave the Atlanta Falcons a proper introduction. Since the Falcons were new to the league, the card company could not include an action card for them from the year before, so instead they included a Falcons insignia card. The insignia was big and bold, and it happened to be the first card in the set.

One thing I noticed about the 1966 action photos is that they were all shot in New York and Los Angeles. As a result, the action cards picture a lot of Giants and Rams defensive players. Each of the action cards has a referee signal on the back, and card #196 is dedicated to referee signals. Compared to Topps’s cards, which had cartoons and fun facts on the back, Philadelphia’s cards were all business.

The 1966 Philadelphia set is much tougher than its predecessors to complete in high grade. While some cards are plentiful, others are scarce, and I suspect that a lot of them are undocumented short prints. I found a picture of an uncut sheet that suggests why. For a 198-card set, I would expect there to be three 132-card sheets, with each sheet containing two-thirds of the set. Between the three sheets, there would then be two of each card. The sheet I found, though, contains 110 of the 198 cards, and the top two rows are repeated. There had to be at least another sheet that held the remaining 88 cards, but I can’t think of how a small number of additional sheets could have been configured to even out the distribution of cards. Rows 3 through 6 on the sheet I found contain some of the tough cards in the set, so I’ll wager that those rows did not appear on another sheet.

Like the two earlier Philadelphia sets, the 1966 set contains the rookie cards of five Hall of Fame players. Six years ago it contained only two, Gale Sayers and Dick Butkus. The other three–Bob Brown, Gene Hickerson, and Bob Hayes, have all been inducted in the past five years.

For more details on the 1966 Philadelphia set, you can read Jim Churilla’s article on the PSA web site.

In 1967, Philadelphia printed their last set of football cards. Like the 1966 set, it has a funky distribution: some cards are plentiful in high grades, and some are downright scarce. The company got a bit less conservative in 1967, coloring the borders yellow and adding colorful cards of the team insignias. 1967 was the year that New Orleans joined the NFL, so a bit more color was fitting.

Two bits of trivia are worth mentioning: Raymond Berry’s 1967 Philadelphia card actually pictures Bob Boyd, and Paul Hornung appears on a Saints card, but he retired before the start of the season. The 1967 Philly set contains three rookie cards of Hall of Fame players: Leroy Kelly, Jackie Smith, and Dave Wilcox.

Though I’m sure it wasn’t intentional, it seems that in the Philadelphia years, the Philadelphia and Topps issues reflected the images of the leagues they represented. The Philly sets were conservative, consistent, and unadorned. The 1964-1967 Topps sets were colorful and innovative, with stars and tall boys and TVs. Philadelphia had the talent, and Topps had the flash. Philadelphia’s run was too short to draw conclusions, but by 1967 it seems as though Topps was prompting Philadelphia to lighten up, just as the AFL was pressuring the NFL to enliven its game.

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• All of the ABCs