Nearmint's Vintage Football Card Blog

Since 1976, the last player selected in the NFL draft has been dubbed Mr. Irrelevant and invited to a celebration called Irrelevant Week. The event, which was started by Paul Salata, a former receiver for the San Francisco 49ers and original Baltimore Colts, raises money for Orange County charities. You can read about the this year’s Mr. Irrelevant and the 2010 festivities at IrrelevantWeek.com.

The Vintage Football Card Gallery has pictures of cards only up to 1976, so it doesn’t include cards of any official Misters Irrelevant. It does, however, include a few cards of players who would have been named Mr. Irrelevant if the title had been awarded earlier. Most of these players turned out to be relevant, after all, or they would not have made it onto football cards. Here are the would-have-been Mr. Irrelevants:

Bill Fischer, 1948

Bill Fischer was the final player chosen in the 1948 draft; the Chicago Cardinals picked him in the 32nd round. Unfortunately, according to an article on buzzle.com, Fischer was ineligible for the NFL in 1948–perhaps because he was only a junior? So the Cardinals drafted him again in 1949, this time in the first round. Fischer played five seasons for the Cardinals and went to three Pro Bowls.

This is his rookie card, a 1950 Bowman. He also appeared on Bowman cards in 1951 and 1952.

John Schweder, 1949

John “Bull” Schweder was the 251st and last player chosen in the 1949 draft. The Philadelphia Eagles picked him, but he apparently did not make their roster in 1949. In 1950 he joined the Baltimore Colts, but the Colts folded after the season, and the team’s players were made available in the 1951 draft. In 1951, Schweder was again drafted, this time at pick number 103, by the Pittsburgh Steelers. He played for the Steelers from 1951 to 1955.

Pictured here is one of Schweder’s rookie cards, a 1952 Bowman Small. He also appeared on several other 1950s Bowman cards.

Sisto Averno, 1951

Sisto Averno was another member of the 1950 Baltimore Colts team who ended up in the draft when the team disbanded. Averno was the last player chosen in 1951, by the Cleveland Browns in the 30th round. He played for the New York Yanks in 1951, and the Yanks folded at the end of that season. The NFL gave the remnants of the Yanks to a new franchise in Dallas in 1952, and–guess what?–that franchise also folded at the end of the season. In 1953, the league awarded the remains of the Dallas team to another Baltimore Colts franchise, and Averno spent two years with the new Baltimore team before calling it a career. (See Bob Carroll’s article at profootballresearchers.com for a detailed description of the churn in the NFL in the early 1950s.)

Averno appeared on just one card, this 1953 Bowman. He looks tired from all the moving.

Jacque MacKinnon, 1961

Jacque MacKinnon was the last player chosen in the 1961 NFL draft. The Philadelphia Eagles chose him with the 280th overall pick. He instead went to the AFL’s San Diego Chargers, and in nine years with the Chargers, he made the Pro Bowl twice.

The card pictured here is MacKinnon’s rookie card, a short print in the 1964 Topps set. He also appeared on several other Topps cards in the late 1960s. (On his 1969 Topps card, he looks like Emilio Estevez!)

Stan Hegener, 1975

Finally, we have Stan Hegener, the last player chosen in the 1975 NFL draft. The Pittsburgh Steelers chose him with the 442nd overall pick, but he apparently did not make the team. The card here is a 1973 Nebraska playing card, from his college days.

The Mr. Irrelevant page on Wikipedia lists all of the players chosen last in the NFL draft, before and after 1976.

Ever wonder why all of the Baltimore Colts in the 1950 Bowman set are wearing green? Did Bowman take liberties with the team’s colors, as Topps did with the Houston Oilers in 1961? (See Houston Oilers: Pretty in Pink.) Did the team change colors from green to blue sometime after 1950?

No, the 1950 Colts were actually a different franchise than today’s Colts. The original Colts were members of the AAFC, and they were one of three teams to join the NFL when the AAFC folded after the 1949 season. This Colts team lasted just one year in the NFL before disbanding, and in 1951 the Colts players were made available to the remaining teams via the draft.

In 1953, the NFL awarded a Baltimore group a new franchise and gave it the remnants of the original Dallas Texans, a franchise that had lasted just one year in Dallas. The new Colts wore blue, and they’ve worn blue ever since. A nice article by Bob Carroll on the profootballresearchers.com web site traces the lineage of the two Colts franchises and the other AAFC teams.

Pictured here are cards of two of the Colts cards in the 1950 Bowman set, Y.A. Tittle and Chet Mutryn. You can see the entire 1950 Bowman Baltimore Colts team set in the Vintage Football Card Gallery.

Here’s a bit of trivia: Besides Y.A. Tittle, what Hall of Fame quarterback played for the Colts in 1950?

Answer: George Blanda. The Bears traded Blanda and four other players to the Colts on September 5. Blanda played in one game for the Colts, and the Bears bought him back on September 20.

One day, while scanning cards, I noticed that the cartoon on the back of Homer Jones’s 1968 Topps card said that “Homer defeated the Russians in the 1960 Olympics.” Hmm, I thought, that’s a good idea for a blog article. There was a problem, though: I couldn’t find a reference saying that Jones had ever competed in the Olympics. He was a star sprinter at Texas Southern, and he might have defeated the Russians in some competition, but it doesn’t appear to have been in the Olympic Games. (According to his Wikipedia page, however, Jones did invent the touchdown spike, which is “said to be the origin of post-touchdown celebrations.” While not quite beating the Russians, that’s still quite a legacy.)

In my research for Jones, I found a list of other pro football players who had competed in the Olympics. It’s a long list, so I narrowed it down to those who had won medals, and then to those who appeared on vintage football cards. That left six players, a suitable number for a blog article.

Jim Thorpe

Jim Thorpe won gold medals in the pentathlon and decathlon in the Stockholm Olympics in 1912. In 1913, the International Olympic Committee took the medals away when they learned that Thorpe had played minor league baseball (and thus had been a professional athlete) before participating in the Olympics. In 1982, Thorpe’s family succeeded in having his medals restored.

Thorpe played professional football from 1915 to 1928, for six different teams. He was a member of the Pro Football Hall of Fame’s inaugural class in 1963. Thorpe also played professional baseball–including seven seasons in the major leagues–from 1909 to 1922. Pictured here is his rookie card, from the 1933 Sport Kings multi-sport set.

Clyde Scott

Clyde Scott won a silver medal in the 110 meter hurdles in the 1948 Olympics in London. He played four seasons in the NFL, as a running back and defensive back for the Eagles and Lions. He appeared on the 1950 Bowman card pictured here, and on a 1951 Bowman card. According to Scott’s profile on the Encyclopedia of Arkansas web site, the readers of the Arkansas Democrat-Gazette named Scott the state’s Athlete of the Century in 2000.

Ollie Matson

Ollie Matson won a bronze medal in the 400 meters and a silver in the 1600 meter relay in the 1952 Olympics in Helsinki. He then had a fourteen-year, Hall of Fame career in the NFL. Matson appeared on a lot of cards. Pictured here is his 1962 Topps card.

Bo Roberson

Bo Roberson took silver in the long jump in the 1960 Olympics in Rome, missing the gold medal by a centimeter. He then played six seasons in the AFL, for four different teams. His 1966 Topps card is pictured here. According to a his profile at ivy50.com, after football, Roberson attended law school, earned a master’s degree at Whitworth College, and earned his doctorate degree at age 58. Wow.

Bob Hayes

“Bullet” Bob Hayes won two gold medals in the 1964 Tokyo Olympics, in the 100 meter sprint and 400 meter relay. Hayes then played wide receiver for eleven years for the Cowboys and 49ers, and he was elected to the Pro Football Hall of Fame in 2009. Hayes appeared on many football cards; the one pictured here is a 1971 Topps Game card.

Henry Carr

Henry Carr also won two gold medals in the 1964 Tokyo Games, in the 200 meter sprint and 1600 meter relay. The New York Giants, according to an article at pe.com, then signed Carr primarily to cover Bob Hayes. Carr spent three years with the Giants, the highlight of his career being a 101-yard interception return for a touchdown in 1966. His 1966 Philadelphia card is pictured here.

• Search Nearmint’s Cards for: Jim Thorpe, Clyde Scott, Ollie Matson, Bo Roberson, Bob Hayes, Henry Carr.

Last fall, when I wrote in the Collectors Universe forums that I was starting the ABCs, I said that I hadn’t yet thought of a topic for Z. One of the participants there (thanks, nam812!) suggested “Z is for Zebras.” Great idea, I thought, but only a few vintage cards of officials came to mind, and all of them were in the 1966 and 1967 Philadelphia sets. If I had only those to write about, “Z is for Zebras” would be a short article.

I learned last week, though, that Bruce Alford was a longtime NFL official who had appeared on a card as a player. I wondered if other officials had appeared on cards as players, too. Wikipedia happens to have an all-time list of NFL officials, so I perused the list, looking for names I recognized from cards. Including Alford, I found four. That was better, now I could include them in this article, as well.

First, the Philadelphia cards. The 1966 and 1967 Philadelphia sets each include a Referee Signals card and a few cards that have referee signals on the back. In the 1966 set, the referee signals appear on the backs of the “play” cards; in the 1967 set, they appear on the backs of the team cards. The Referee Signals cards and the back of the 1966 Philadelphia Vikings Play card are shown here.

Except for an occasional official in the background (thanks, revmoran!) or random striped shirt in an action photo, that’s really about it for officials on vintage cards. But then we have the zebras who appeared on cards in their pre-zebra days:

Bruce Alford, who recently passed away, spent six years as a player in the AAFC and NFL, then officiated in the NFL for twenty years. He officiated Super Bowls II, VII, and IX. Alford appeared as a player on a 1951 Bowman card.

Al Conway was the Eagles’ first-round draft pick in 1953, and he appeared on a 1953 Bowman card. According to pro-football-reference.com, he never played a league game, but he went on to officiate for 28 years in the AFL and NFL.

Pat Harder played eight years for the Cardinals and Lions, and he appeared on four cards in that span: 1948 Bowman, 1948 Leaf, 1950 Bowman, and 1953 Bowman. His 1948 Bowman card is pictured here. After retiring as a player, Harder was an official for seventeen years. One game he officiated was the Raiders-Steelers playoff game in which Franco Harris made his Immaculate Reception.

Finally, Frank Sinkovitz was a center and linebacker for the Steelers for six years. He appeared on the 1950 Bowman card pictured here, and a 1951 Bowman card. After his playing days, he officiated for 26 years. One game he officiated was Super Bowl XV.

So there you have it, the NFL officials rookie card collection. If you can think of additions, let me know.

Now I know my ABCs…

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• Search eBay for: Bruce Alford, Al Conway, Pat Harder, Frank Sinkovitz
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We haven’t had a trivia question in a while. Feeling smart today?

Question #7: What do the four players pictured here have in common?

Scroll down slowly; the answer is after the sponsored links. For more information on a card, click on it or hold your cursor over it.

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Answer: They are all members of the Canadian Football League Hall of Fame.

Here are their bios on the CFL Hall of Fame web site:

• Martin Ruby
• Dick Huffman
• Sam Etcheverry
• Joe Kapp

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Jerry Shipkey, who played for the Pittsburgh Steelers from 1948 to 1952 and for the Chicago Bears in 1953, died on November 28. Shipkey was an All-Pro at linebacker for his last three years with the Steelers. Before joining the Steelers, he had the distinction of playing in the Rose Bowl for both UCLA and USC.

Shipkey appeared on football cards in all five of the Bowman sets issued from 1950 to 1953. The images on his cards, however, all appear to be from the same photo session. Pictured here are his rookie card, a 1950 Bowman, and his last card, a 1953 Bowman. As you can see, Bowman used the same images on both cards, but they recolored his helmet on the 1953 card. (I don’t know why. Maybe they thought the Steelers’ helmets should look like steel.) They also apparently printed the 1953 card before Shipkey was traded to the Bears.

Question #6: What do the five players pictured on these football cards have in common?

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Answer: They coached the Pittsburgh Steelers together.

This is the coaches card from the 1968 KDKA Steelers set.

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If you are going to collect cards, you need to learn to grade them. To the untrained eye there is little difference between a mint card and a near mint card, but there can be a tremendous difference in value between the two. Some sellers, not surprisingly, tend to overgrade their cards, and you need to be able to judge a card’s grade for yourself to ensure that you’re getting what you’re paying for.

Third-party grading companies can help in this regard: for a fee they will assign a grade to a card and encapsulate it in plastic. If you buy a card that has been graded by one of the major companies–Beckett Vintage Grading (BVG), Sportscard Guarantee Company (SGC), or Professional Sports Authenticator (PSA)–you can be reasonably assured that the card is accurately graded, authentic, and unaltered. There are other grading companies, as well, but be cautious if you stray from the big three.

The first step in learning to grade is to read the standards. Each of the big grading companies has a published set of standards, and they are all similar. Each has its quirks, though. PSA uses “qualifiers” to note exceptional problems on cards, such as a mark on an otherwise high-grade card, instead of just giving the card a lower grade. SGC uses a 100-point scale, but they actually use only a few values on the scale (10, 20, 30, etc.), and they map their 100-point scale to the more standard 10-point scale. (Strangely, 98 maps to 10, but 100 doesn’t map to anything!) SGC and Beckett distinguish between Mint, Gem Mint, and Pristine, but I don’t believe a grader could ever consistently apply these various degrees of “mint.”

Note that in the grading standards, many of the flaws a card can have are introduced in production: poor centering, print lines, wax stains, and so on. To a collector, these problems are as serious as wear and tear. Beware of eBay auctions that proclaim that the cards are from “vending,” because even if the cards were taken directly from a pack, it is likely that they have some factory flaws. “Vending,” “nice,” “L@@K,” and “Wow!” are useless terms in auction titles: a good seller will attempt to grade the cards, and put the grade in the title instead.

After you have gotten familiar with the grading standards, look at scans of graded cards online–on eBay, for example, or on my sales site–to see if you can tell why they are graded as they are. (This is easier to do with cards in lower grades. Cards in higher grades have smaller flaws, and the flaws are often hard to see in scans.) After looking at scans online, find some to examine in person: look at a friend’s, find some at a card show or dealer, or make some small purchases online. Start slow, to get the hang of it.

When looking at graded cards, you’ll find that the 1-to-10 grading scale is not linear. While you can probably tell a 2 from a 5 from across the room, you might need a magnifying glass to see the difference between a 7 and a 10. You will also find that sometimes a lower-grade card will look nicer than a higher-grade card. This could be because the grading company goofed–it happens–or, more likely, it could be because the grading standards don’t jibe with what your appeals to your eye. A card that is perfect except for a hairline crease on the back will most likely be graded a 5, while a card that is faded or out of focus could get an 8 or 9. A crease is a crease, but fading or poor focus is more of a judgment call, particularly if the grader doesn’t have similar cards to compare with the card he is grading.

Because your tastes might differ from the standards, and because grading to the standards is somewhat subjective, you will sometimes hear the mantra “Buy the card, not the holder.” All this means is that you shouldn’t base your decision to buy a card solely on the grade a grading company has assigned to it. Make sure that the card also appeals to your eye, and that you think it’s worth the price you are paying for it.

So now you’re thinking, hmm, if there can be such a small difference between a 7 and a 10, and if lower-grade cards can actually look better than higher-grade cards, and if the card grading companies sometimes make mistakes, why is a PSA 10 worth so much more than a PSA 7? Well, that’s a good question. The answer: card collectors (and collectors in general, I’m guessing) are an extremely fussy bunch, we’re continually trying to upgrade our collections, and the grading companies are usually accurate in their grading. We’ll often pay dearly to get a card with four sharp corners, rather than one with a fuzzy corner or two. Some collectors also participate in set registries, where you can show off your collections and compete with other collectors for the highest-graded sets. PSA, SGC, and Beckett all have set registries, and the competition between collectors can touch off amazing bidding wars in auctions for cards that are scarce in high grades. For the grading companies, the set registries were a stroke of marketing genius.

To sum it up, yes, grading is somewhat subjective, but a card’s grade is nonetheless key to determining its value. If you plan to spend much money on cards, you should learn to grade so that you don’t have to rely on sellers’ opinions. For expensive or high-grade cards, third-party grading companies can offer assurance that the cards meet their grading standards. But consider your own tastes, too. Do you prefer good centering or sharp corners? Does a tiny crease bother you if the card is otherwise flawless? How important is the back to you? Collect the cards that appeal to you, but learn to grade so you can determine what to pay for them.

(More on pricing later. For now see my pricing page.)

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The Bowman Gum Company printed football cards in 1948 and from 1950 to 1955. On the whole, they are my favorite vintage football cards, and if I were to start my collection over, I would focus on collecting these early Bowmans. Except for the 1953 issue, the cards are attractive, varied, and interesting, and eight sets to me is about the right number to work on.

1948 Bowman

The 1948 Bowman cards are small, nearly square, and black-and-white. The cards picture the current players of the time, and since no one had printed football cards since National Chicle in 1935, every card in the 1948 Bowman set is a rookie card. The cards have no printing on the front, only on the back, a format I really like. Every third card–that is, each card with a number divisible by 3–is considered a short print. This, says my old Beckett catalog, is because the sheet they were printed on was “printed in much lesser quantities.” Judging by PSA’s population report, the “lesser” is accurate, but the “much” is not: PSA has graded about third fewer of the short prints, not enough to justify the 4x to 5x premium that Beckett assigns to them.

1950 Bowman

The 1950 Bowmans are the same size as the 1948 cards, and they look like little oil paintings. Like the 1948 cards, they have printing only on the back. 1950 was the year that the All-American Football Conference folded and three of its teams–the Baltimore Colts, Cleveland Browns, and San Francisco 49ers–joined the NFL. Because no major card company had printed cards of AAFC players, several of the stars from the AAFC made their football card debut in the 1950 Bowman set. Of the 10 Hall of Fame players whose rookie cards appear in the 1950 Bowman set, 6 came from the AAFC, and 4 of those 6 played for the Browns.

The Los Angeles Rams were the first team to put a logo on their helmets, and this might be why most of the Rams are wearing helmets on their 1950 Bowman cards. The artist who colored the cards took liberties with the colors, however. On the cards the Rams’ horns appear white in the front and yellow in back, but on the real helmets the horns did not change color somewhere in the middle.

1951 Bowman

In 1951, Bowman enlarged the cards and put the player’s name and team logo on the front. The logos overwhelm the cards a bit, but logos were more intricate back then, and they needed to be large to show the detail. (See the Lions and Giants logos, for example.) Though attractive, the 1951 set seems to be less popular than the 1950 and 1952 sets, perhaps because it has fewer rookie cards of prominent players.

1952 Bowman Large

In 1952, Bowman released two sets of football cards, identical except for their size. An article in the PSA Library, “Living Large: Collecting the Classic 1952 Bowman Large Set,” provides a detailed description of the 1952 Large set. In addition to the rookie cards of several Hall of Fame players, the set includes the rookie cards of three Hall of Fame coaches: George Halas, Paul Brown, and Steve Owen. Some cards in the set are challenging to find in high grades: cards with numbers divisible by 9 and the cards immediately following them (i.e., 10, 19, 28, …) are reportedly short prints, and PSA’s population report indicates that some of the other cards (#70, Gene Schroeder, for example) are actually as scarce as the designated short prints.

The PSA article says that the most valuable card in the set is #144, Jim Lansford. The article is correct: the price guides list the card at 2-to-5 times the value of the next most valuable card. Why? Well, the price guides say, not only is the Lansford a short print, but it’s the dreaded last card in the set! This to me is another example of where the guides are off base, since numerous other cards in the set are at least as scarce as the Lansford. (For more “last card” silliness, see my 1959 Topps virtual uncut sheet.)

1952 Bowman Small

The 1952 Bowman Small cards, except for their size, are identical to the Large cards. The PSA library also has an article on this set, entitled “Small Wonders: A Look at the 1952 Bowman Small Football Set“. It appears that Bowman printed fewer Smalls than Larges, but collectors evidently prefer the large format, because the Larges in general command higher prices. Because they fit differently on the sheet, the Smalls do not have the same distribution as the Larges, and no Smalls are designated short prints.

1953 Bowman

Bowman’s follow-up to their classic 1952 sets was the dismal 1953 Bowman set. A couple of weeks ago I wrote about the ugly white football on the front of the cards, but that’s not the only problem. Outside of the white football, the cards are dark–often too dark to get a good scan–and there is not a single significant rookie card in the set. The card distribution is strange, too: there are 96 cards in the set, and only two of them are Packers.

1954 Bowman

The 1954 set is the plainest of the old Bowmans, but they are colorful, clear, and attractive. Cards 65-96 were clearly printed in smaller numbers, but my old Beckett has them priced 5 times higher than the other cards, which is excessive. My favorite is Jim Dooley, in his College All-Star uniform. There is a Whizzer White in the set, but he’s not the Supreme Court justice. There’s an old thread about the Whizzers on the Collectors Universe message board.

1955 Bowman

Finally, there are the 1955 Bowmans. Bowman got experimental again with this set, putting each player on a colored background and giving him an aura. All of the players on a given team have the same colored background: the background for the Packers is yellow, for example, and the background for the Giants is green. I like the uniformity that the background brings to this set. In 1953 and 1954, Bowman put some players on solid color backgrounds, some on geometric backgrounds, and some in front of trees and shrubs.

In 1956, Topps bought Bowman Gum, and Bowman’s run of football cards ended. Now that I think of it, don’t 1956 Topps football cards look like a hybrid of 1955 Bowman and 1955 Topps cards? The 1956 Topps cards have the player on a colored background, with a bit of an aura, and the logo box looks just like the one on the 1955 Topps All-Americans.

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