It seems like it would have been preferable to cover the logo with a dab of brown, but changing the letters was definitely better than how they handled Bob Hayes’s 1970 Topps Super and 1970 Topps Super Glossy cards. On those cards it looks like they burned the logo off the ball!

I would also like to see any pre-1970 cards that are miscut so badly–on either the front or the back–that they show part of the next card. The card pictured here is an example that I found in an eBay auction: it’s a miscut 1957 Topps Sid Watson card that shows Kyle Rote’s toe. If I see enough cards like this, I might be able to piece together what the uncut sheet looked like–especially if there is a pattern to the card numbers.

• Three complete sets of 1948 Bowman football cards: a high-grade set graded by PSA, a high-grade complete raw set, and a complete raw set in its original album.
• Some fun beverage cans: an Iron City Beer Can picturing the 1976 Pittsburgh Steelers and a near-set of 1976 Canada Dry cans with NFL helmets on them.
• A full set of 1961 Fleer wallet pictures, still in the album–sort of. (You can see the full list of these wallet pictures in the Vintage Football Card Gallery.)
• A leopard-print 1965 Topps Jim Otto card.
• Three 1960 Fleer wrong-back cards. (For more examples of these, see my 1960 Fleer virtual uncut sheet page.)
• Alan Page on grocery store displays for 1974 Wonder Bread and 1974 Town Talk Bread football cards. (For more on Wonder Bread and Town Talk cards, see my blog article about food issues.)
• A rare 1960 O-Pee-Chee Test Tattoo of Jim Brown–listed at $19,500! (The seller has lots more of these tattoos, as well.)
• And, finally, a PSA 10 1955 Topps All-American Knute Rockne card. Wow!

The composition of the set is easily the oddest I’ve seen. First, Nick Skorich, an assistant coach in 1960, appears in the set, but Buck Shaw, the head coach, doesn’t. (Skorich took over as head coach in 1961.) Second, there are no quarterbacks, running backs, or receivers in the set! Hall of Famers Norm Van Brocklin and Tommy McDonald were both established starters in 1960, but neither is included. Finally, the Eagles had six Pro Bowlers in 1959 (Van Brocklin, McDonald, Jess Richardson, Marion Campbell, Bill Barnes, and Tom Brookshier), they were all still with the team in 1960, and not one of them appears in the set! It’s like the photographer was in a hurry, and he just grabbed the first eleven guys who showed up for practice.

(Speaking of Van Brocklin, this wasn’t the only set from which he was conspicuously absent. In 1958, after nine seasons and six Pro Bowls with the Rams, Van Brocklin was traded to the Eagles. He played three seasons for the Eagles, making the Pro Bowl in each of them, but he did not appear in any of the 1958-1960 Topps football sets. The only card I know of that shows him as an Eagle is his 1963 Stancraft playing card.)

As I’ve said in previous articles, one reason I like team sets is that they usually include players who never appeared on cards in mainstream issues. In this set, those players are Howard Keys and John Wittenborn, both offensive linemen. Keys was a rookie in 1960, and he played for the Eagles for four seasons. Wittenborn spent ten years in the NFL and AFL, with the 49ers, Eagles, and Oilers.

My favorite photo in the set is the one shown here, Jimmy Carr. Carr was a defensive back, but he could have been the drum major!

Oh, and incidentally, the Eagles won the NFL championship in 1960.

The 1963 checklist is also curious for other reasons:

• It’s the first and only checklist that Fleer printed in its four years of producing football cards.
• It is the only card in the 1963 set that is not numbered.
• On an uncut sheet, the player cards were in a predictable order, by number, but the checklist was stuck in the middle, displacing two of the player cards. (You can see this on my virtual uncut 1963 Fleer sheet.)
• It is a short print (and so are the two cards it displaced on the sheet).
• It is orange and green, though the base color of the player cards is red. Checklists typically have the same color scheme as the rest of the set.

To me, it looks like a new Fleer manager came in just before production and said, “Hey, Topps has checklists, so we need to throw one in there, too. And maybe we’ll have a second series, so put ‘first series’ on it.” And then they left the kiddies hanging.

Fleer wasn’t the only company that had football card plans grander than they could execute. As I wrote in N is for National Chicle, the backs of 1935 National Chicle cards say “one of 240 football players with playing tips,” but there are only 36 cards in the set. There were only eight pro teams at the time, so 240 cards would have covered practically every player in the league. As I said in the article, I suspect that the company planned to include college players and coaches in their set, as well.

Imagine being a young Bears fan, spending all of your paper route money on a stack of wax packs, and not getting any cards of your favorite team! Why might the Bears have been omitted? Did they send their photos to Topps too late to make the first series? Did Topps forget that Chicago had two teams? My guess is that Topps and the Bears had some sort of contract problem, but that’s only a guess. If anyone else has more information, please let me know.

Ironically, the Bears team card is one of the three easiest 1959 Topps cards to find in high grade, the others being the Giants and Steelers team cards. All three cards are in the second series, which appears to have been printed in greater quantities than the first series. (This is unusual: Topps typically printed the earlier series in greater numbers.) All three were also in the interior of the full sheet (see my virtual uncut 1959 Topps sheet), so they were less susceptible to damage in production than cards on the edge of the sheet. And, finally, I think that the team cards’ oval interior design makes them more forgiving of cutting problems. The other cards in the set–namely the player and team pennant cards–have rectangular interiors, making off-centering and diamond cuts more obvious.

Pictured here is Tharp’s 1960 Topps CFL card. He played for the Toronto Argonauts in 1955 and from 1957 to 1959, and Topps evidently expected him to stay with the team in 1960. He didn’t, though. He instead joined the New York Titans (later the Jets) of the new American Football League, and he appeared on a 1960 Fleer AFL card, as well. He spent one season with the Titans, playing nine games at defensive back.

While the fronts of 1960 Topps CFL cards are much different than their NFL counterparts, the backs of the cards in the two sets are alike. The only difference is that the text on the CFL cards is repeated in French. Even the text in the cartoon, which you can faintly see on this card, appears in both French and English. You can also see that repeating the text didn’t leave much room for detail.

I really like the fronts of the cards, with the colored portraits over the black and white action photos. Topps had used black and white photos for backgrounds in their classic 1955 Topps All-American set, and they would use them again as insets on their 1962 NFL cards. In 1962 they matched the inset photos with the players on the cards–or most of them, anyway–but they did not do that on the 1960 CFL cards. The photos on the CFL cards appear to be random, and Topps used each photo on multiple cards.

There are 88 cards in the 1960 CFL set, and for vintage AFL and NFL card collectors, it includes a few familiar names. Veryl Switzer, Ken Carpenter, and Tobin Rote had played in the NFL in the 50s, and Rote went on to play for the Chargers and Broncos in the 60s. Randy Duncan, Ernie Warlick, and Gerry McDougall also joined AFL teams in the 60s. And Joe Kapp and Sam Etcheverry later quarterbacked in the NFL.

I think it must have been Tittle’s preference to wear his helmet for photos, since I can’t think of any other player who appeared helmeted on so many cards. As I’ve written before, I usually don’t like images of players wearing their helmets, because the helmets cover too much of the players’ faces. But Y.A.’s many appearances in his helmet made him look natural in it, like Doonesbury’s B.D.

The hobby appears to consider wrong-back cards printing flaws, rather than error cards, so they’re not included in set checklists, and they’re collectible mostly as curiosities. I can think of one exception: the Gaynell Tinsley and Whizzer White cards in the 1955 Topps All-American set can each be found with the back of the other, and they are considered error cards. I assume that the backs of those two cards were switched on the uncut sheets, whereas other wrong-backs were caused by mishaps in the printing process, not the configuration of the sheets.

If you know more about wrong-backs, or if you have one to share, post a comment!

Scott Alpaugh, who collects the 1977 Mexicans, has put together a terrific web site that describes the set in detail. I don’t have anything to add to what Scott says, so I’ll just point you to his site: 1977 Topps Mexican Football Cards.

Pictured here is the 1977 Topps Mexican Golden Richards card. Around the edges you can see the perforations that Scott discussed in his article. Oddly, Topps translated Cowboys to Vaqueros on the front, but not on the back. (Click on the scans to see larger images.)

You can see the composition of the set on PSA’s set registry, and you can find more pictures of 1977 Topps Mexicans on eBay.

Alas, the experiment evidently didn’t work, since there’s no 1978 Topps Mexican set.